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By Norman K Denzin

The 1876 occasions often called Custer’s final Stand, conflict of Little gigantic Horn, or conflict of Greasy Grass were represented over one thousand occasions in a variety of creative media, from work to sculpture to speedy nutrients giveaways. Norman Denzin indicates how those representations display the altering perceptions—often racist—of local the United States via the bulk tradition, juxtaposed opposed to very diversified readings proven in works composed through local American artists. together with autobiographical memories, ancient description, creative representations, staged readings, and snippets of records, this multilayered functionality ethnography examines questions of reminiscence, race, and violence opposed to local the United States, as symbolized by means of the altering interpretations of normal Custer and his ultimate battle.

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Custer on Canvas: Representing Indians, Memory, and Violence in the New West by Norman K Denzin


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