By Richard A. Gordon
A particular contribution to movie experiences, Richard Gordon's Cinema, Slavery, and Brazilian Nationalism is the 1st full-length e-book on Brazilian movies approximately slavery. via learning Brazilian movies published among 1976 and 2005, Gordon examines how the movies either outline the nationwide neighborhood and impact viewer understandings of Brazilianness. even though the movies he examines span a long time, all of them converse their revised model of Brazilian nationwide identification via a cinematic process with a twin goal: to disenchanted ingrained methods of puzzling over Brazil and to cajole those that watch the flicks to simply accept a brand new manner of knowing their nationwide community.
By reading styles during this heterogeneous team of flicks, Gordon proposes a brand new method of delineating how those motion pictures try and converse with and alter the minds of viewers contributors. Gordon outlines 5 key features that every movie contains, which describe their shared formulation for and position in developing social identification. those parts contain the ways that the flicks try and create hyperlinks among the earlier and the audience' current and their equipment of encouraging audience to spot with their protagonists, who're usually forged as a prototype for the state. by way of aligning themselves with this determine, audience arrive at a definition in their nationwide identification that, whereas Afrocentric, additionally promotes racial and ethnic inclusiveness. Gordon's cutting edge research transcends the context of his paintings, and his conclusions might be utilized to questions of nationwide identification and movie throughout cultures.
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Extra info for Cinema, Slavery, and Brazilian Nationalism (Cognitive Approaches to Literature and Culture)
Cinema, Slavery, and Brazilian Nationalism (Cognitive Approaches to Literature and Culture) by Richard A. Gordon