By Graham Lock
A century after Ellington’s start, Lock reassesses his use of song as a kind of black historical past and compares the several techniques of Ra, a band chief who interested by the longer term and cosmology, and Braxton, a modern composer whose paintings creates its personal tricky mythology. Arguing that almost all of writing on black song and musicians has—even if inadvertently—incorporated racial stereotypes, he explains how each one artist reacted to feedback and sought to wreck freed from express confines. Drawing on social background, musicology, biography, cultural conception, and, so much of all, statements via the musicians themselves, Lock writes in their influential paintings.
Blutopia should be a welcome contribution to the literature on twentieth-century African American song and creativity. it is going to curiosity scholars of jazz, American song, African American experiences, American tradition, and cultural studies.
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Extra resources for Blutopia: Visions of the Future and Revisions of the Past in the Work of Sun Ra, Duke Ellington, and Anthony Braxton
Blutopia: Visions of the Future and Revisions of the Past in the Work of Sun Ra, Duke Ellington, and Anthony Braxton by Graham Lock